Summer 2002
Classic Waveshapes and Spectra by Reginald Bain
Harmonic Trees by Jacob T. Joaquin
Linux RH7 Win2k by Michael Rhoades
Developing a fully featured multieffects unit in Csound by Josep M Comajuncosas
Simulating hard sync in csound by Ian Sayer
THE 10-MINUTE GUIDE TO INSTALLING CECILIA FOR LINUX by Dave Phillips
Winter 2002
Features
Getting Started with Csound by Jason Thomas
Working with Csound by Matthew Thies
CsoundMax by Joo Won Park
Sampling by Hans Mikelson
Summer 2001
Features
Comments on "Talisman IV" by Jeffrey Hall
Real-Time Instrument Design: Creating the Schnackertronics Phrase Looper in Csound by Glenn Ianaro
Controlling FOG Parameters in Real-Time using DirectCsound by Richard Bowers
Geomaestro & Csound: An Introduction to the Compositor Tool by StŽphane Rollandin
Csound Random Generators by rasmus ekman
Simple Instrument/Complex Score The Creation of Composition Zeta (section three) by Michael Rhoades
Winter 2001
Columns
Synthesis: More Csound Drums by Hans Mikelson
Guest Editorial by Michael Rhoades
Features
Modernizing Csound by Michael Gogins
Csound: From the acoustical compiler to the sound synthesis ecosystem by Kevin DAHAN
Using Pmask by Hans Mikelson
Summer 2000
Columns
Beginners: Noise, Beatiful Noise by Hans Mikelson
Internals: Interpolation by Hans Mikelson
Processing: An Efficient, Precise Frequency Shifter by Jens Groh
Spring 2000
Columns
Beginners: Filtering by Hans Mikelson
Synthesis: Terrain Mapping with Dynamic Surfaces by Hans Mikelson
Processing: Pitch and Time Scaling by Hans Mikelson
Real-time: A Real-Time Csound Orchestra by Richard Bowers
Features
Internals: Csound Program Flow by rasmus ekman
Composition: Espace des Cloches by Jeff Harrington
Winter 2000
Columns
Beginners: Simple Sample Input by Hans Mikelson
Synthesis: Granular Synthesis by Hans Mikelson
Processing: More Delays by Hans Mikelson
Real-time: Bird Calls by Hans Mikelson
Autumn 1999
Columns
Beginners: Panorama by Hans Mikelson
Synthesis: Csound Drums by Hans Mikelson
Processing: Multiple Feedback Reverbs by Hans Mikelson
Real-Time: Csound Meets Keykit by Hans Mikelson
Features
Csound Implementation of Physical Models of Woodwind Instruments by Josep M» Comajuncosas Nebot
Summer 1999
Columns
Beginners: Envelopes by Hans Mikelson
Synthesis: Sound Generation with the Julia Set by Hans Mikelson
Processing: Delay by Hans Mikelson
Real-Time: Using Midi Sequencers with Csound by Hans Mikelson
Features
Using AXCsound by Michael Gogins
Csound Composition, Approaches, Attitudes and Styles by Michael Rhoades
Using Cmask in Ecological Modeling by Dami‡n Keller
Spring 1999
Columns
Beginners: Oscillators by Hans Mikelson
Synthesis: Parametric Equation Oscillators by Hans Mikelson
Processing: The Talk-Box and Formant Filtering by Hans Mikelson
Real-Time: Real-Time Analog Modeling by Hans Mikelson
Internals: Adding Opcodes to Csound by Hans Mikelson
Features
Anythng2Score, A Guide for the Perplexed by Dave Phillips
Depletion in Within, Randomly Extracting Values from a Table by Grant Chu Covell
Winter 1999
Columns
Beginners: A Beginners Look At Csound by Hans Mikelson
Synthesis: Implementing Cellular Automatas in Csound with some Musical Applications by Josep M» Comajuncosas Nebot
Processing: Hyperbolic Tangent Distortion by Hans Mikelson
Real-Time: Direct Csound Information and FAQ by Gabriel Maldonado
Internals: A Practical Guide to Compiling Csound by Hans Mikelson
Features
Perception of Tone Sequences and Pitch Paradoxes: A Digital Synthesis Laboratory by Luca Pavan
