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Csound Journal Article Index

Issue 9 - Summer 2008
Letters from the Editors  
Python at the Control Rate: athenaCL Generators as Csound Signals Christopher Ariza
hrtfmove, hrtfstat, hrtfmove2: Using the New HRTF Opcodes Brian Carty
A Simple NetBeans Java Frontend Application Jim Hearon
An Interview with Jean-Luc Sinclair(aka Jean-Luc Cohen) Steven Yi
Using Emacs and Csound-x as a Csound IDE: Part I Pedro Kröger
Flutes in Orbit Brian Redfern
A minimal realtime algorithmic system: "Barebones" Øyvind Brandtsegg
Marginalia: Designing a sound installation using Csound Richard Bowers
Working with the terminal in OSX: An absolute beginner's guide Jean-Luc Cohen-Sinclair


Issue 8 - Spring 2008
Letters from the Editors  
Realtime Csound in Windows: A Personal Journey Art Hunkins
Live Flute Synthesis with Linux and Csound5 Brian Redfern
Managing Csound Compositions with GNU Make Pedro Kröger
Aspects of Sahnsi and Polos in Balinese Gamelan Instruments Akito Van Troyer and Jim Hearon
dseq: A Drum Machine Micro-Language Jacob Joaquin


Issue 7 - Fall 2007
Letters from the Editors  
Csound at the Toronto Electroacoustic Symposium 2007 Jim Hearon
On the Design of Spectral Tools in Blue
A compositional account of working with Victor Lazzarini's PVS opcodes and Blue 		Peiman Khosravi
Command Line FX Processing Jacob Joaquin
The Wiimote and Csound
Beginning Steps to OSC communication between a Wii Remote and Csound utilizing the Windows application GlovePIE 		Mark Jamerson
Managing Projects with Mercurial
Using Source Code Management software to version and archive your Csound work 		Steven Yi


Issue 6 - Spring 2007
Letters from the Editors  
Aspects of Bandlimiting
 James Hearon
Developing LADSPA Plugins with Csound
 Victor Lazzarini and Rory Walsh
Using Python Inside Csound
An introduction to the Python opcodes		 Andrés Cabrera
Perl and Csound - Part 2
 Jacob Joaquin


Issue 5 - Winter 2007
Letters from the Editors  
A Pure Data Break Point Function patch
James Hearon
Thoughts and Experiences with The Flyndre: An Interview with Øyvind Brandstegg
Steven Yi
HPKComposer
A Csound 5.0 based Audio Video Composition Tool
Jean-Pierre Lemoine
Perl and Csound - Part I Jacob Joaquin


Volume 1 Issue 4 - Summer 2006
Letters from the Editors  
Hearing Audio Quality in Csound
View Original PDF Version of this Article 		Michael Gogins
Control Flow - Part II Steven Yi
The Ubiquitous Slider Demo James Hearon
Developing standalone applications using the Csound Host API and wxWidgets Rory Walsh


Volume 1 Issue 3 - Spring 2006
Letters from the Editors  
Meet the Csound 5 Developers Anthony Kozar
Tour of Oscillators James Hearon
A Sound Server Approach to Programming in Csound
Part 2 - An Example Application Using the Csound API 		Øyvind Brandtsegg
Control Flow - Part I Steven Yi



Volume 1 Issue 2 - Winter 2006
Letter from the Editor Victor Lazzarini
What is Csound5? James Hearon
Sounds Electric 05

Sounds Electric 05

 Fergal Dowling
Victor Lazzarini
Csound 5: The Design, The Outcome, The Experience
     PDF Slides from his presentation at Sounds Electric '05		 John ffitch
TclCsound
     A Csound Frontend and Tcl/Tk Wrapper		 Victor Lazzarini
Strings Music Model
     Composing with Csound and Strings Formulas		 Adalberto Andres Vidal

RAViC Real-Time Audio Visualisation in Csound5
     Plugin Opcodes for time- and frequency-domain
     representations of audio signals

 Simon Schampijer
Introducing PVSPITCH:
     A Pitch Tracking Opcode for Csound		 Alan O Cinneide
Techniques
Creating Encapsulated Instruments in Csound5
 		Steven Yi



Volume 1 Issue 1 - Fall 2005
Letters from the Editors
What a Newbie Wants, What a Newbie Needs Pam Covert
Growing Music with Computer-Generated Sound
An Interview with Composer Frances White		 Anthony Kozar
Exploring Tied Notes in Csound Steven Yi
A Sound Server Approach to Programming in Csound
Part 1 - General Principles		 Øyvind Brandtsegg


Csound Magazine Article Index

Summer 2002
Editorial Hans Mikelson
Classic Waveshapes and Spectra Reginald Bain
Harmonic Trees Jacob T. Joaquin
Linux RH7, Win2K Michael Rhoades
Developing a fully featured multieffects unit in Csound Josep M Comajuncosas
Simulating hard sync in csound Hans Mikelson
The 10-Minute Guide to Installing Cecilia for Linux Dave Philips



Winter 2002
Editorial Hans Mikelson
Features
Getting Started With Csound Jason Thomas
Working With Csound Matthew Thies
CsoundMax Joo Won Park
Sampling Hans Mikelson



Summer 2001
Editorial Hans Mikelson
Columns
News Hans Mikelson
Features
Talisman IV Jeffrey Hall
Real-Time Instrument Design: Creating the Schnackertronics Phrase Looper In Csound Glen Ianaro
Controlling FOG parameters in realtime using DirectCsound Richard Bowers
GeoMaestro & Csound: An introduction to the Compositor tool Stéphane Rollandin
Csound Random Generators Rasmus Ekman
Simple Instrument/Complex Score: The Creation of Composition Zeta (section three) Michael Rhoades



Winter 2001
Guest Editorial Michael Rhoades
Columns
News Hans Mikelson
Synthesis: More Csound Drums Hans Mikelson
Features
Modernizing Csound Michael Gogins
Csound : From the acoustical compiler to the sound synthesis ecosystem Kevin Dahan
Using PMask Hans Mikelson



Summer 2000
Editorial Hans Mikelson
Columns
News Hans Mikelson
Beginners: Noise, Beautiful Noise Hans Mikelson
Internals: Interpolation Hans Mikelson
Processing: An Efficient, Precise Frequency Shifter Jens Groh



Spring 2000
Editorial Hans Mikelson
Columns
Orchestra and Score of the Week Hans Mikelson
Beginners: Filtering Hans Mikelson
Synthesis: Terrain Mapping with Dynamic Surfaces Hans Mikelson
Processing: Pitch and Time Scaling Hans Mikelson
Real-Time: A Real-Time CSound Orchestra Richard Bowers
Features
Csound Program Flow Rasmus Ekman
Espace des Cloches Jeff Harrington



Winter 2000
Editorial Hans Mikelson
Columns
Orchestra and Score of the Week Hans Mikelson
Beginners: Simple Sample Input Hans Mikelson
Synthesis: Granular Synthesis Hans Mikelson
Processing: More Delays Hans Mikelson
Real-Time: Bird Calls Hans Mikelson



Autumn 1999
Editorial Hans Mikelson
Columns
Beginners: Panorama Hans Mikelson
Synthesis: Csound Drums Hans Mikelson
Processing: Multiple Feedback Reverbs Hans Mikelson
Real-Time: Csound Meets Keykit Hans Mikelson
Features
Csound Implementation of Physical Models of Woodwind Instruments Josep Mª Comajuncosas Nebot



Summer 1999
Editorial Hans Mikelson
Columns
Beginners: Envelopes Hans Mikelson
Synthesis: Sound Generation with the Julia Set Hans Mikelson
Processing: Delay Hans Mikelson
Real-Time: Using Midi Sequencers with Csound Hans Mikelson
Features
Using AXCsound Michael Gogins
Csound Composition: Approaches,Attitudes, and Style Michael Rhoades
Using CMask in ecological modeling Damián Keller



Spring 1999
Editorial Hans Mikelson
Columns
Beginners: Oscillators Hans Mikelson
Synthesis: Parametric Equation Oscillators Hans Mikelson
Processing: The Talk-Box and Formant Filtering Hans Mikelson
Real-Time: Real-Time Analog Modeling Hans Mikelson
Internals: Adding Opcodes to Csound Hans Mikelson
Features
Anything2Score: A Guide for the Perplexed Dave Philips
Depletion in Within: Randomly extracting values from a table Grant Chu Covell



Winter 1999
Editorial Hans Mikelson
Announcements Hans Mikelson
Columns
Beginners: A Beginners Look at Csound Hans Mikelson
Synthesis: Implementing Cellular Automatas in Csound, with some musical applications Josep M Comajuncosas
Processing: Hyperbolic Tangent Distortion Hans Mikelson
Real-Time: Direct Csound Information and FAQ Gabriel Maldonado
Internals: A Practical Guide to Compiling Csound Hans Mikelson
Features
Perception of Tone Sequences and Pitch Paradoxes: A Digital Synthesis Laboratory Luca Pavan