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Back Issues
Columns
Beginners: Simple Sample Input by Hans Mikelson
Synthesis: Granular Synthesis by Hans Mikelson
Processing: More Delays by Hans Mikelson
Real-time: Bird Calls by Hans Mikelson
Columns
Beginners: Panorama by Hans Mikelson
Synthesis: Csound Drums by Hans Mikelson
Processing: Multiple Feedback Reverbs by Hans Mikelson
Real-Time: Csound Meets Keykit by Hans Mikelson
Features
Csound Implementation of Physical Models of Woodwind Instruments by Josep Mª Comajuncosas Nebot
Columns
Beginners: Envelopes by Hans Mikelson
Synthesis: Sound Generation with the Julia Set by Hans Mikelson
Processing: Delay by Hans Mikelson
Real-Time: Using Midi Sequencers with Csound by Hans Mikelson
Features
Using AXCsound by Michael Gogins
Csound Composition, Approaches, Attitudes and Styles by Michael Rhoades
Using Cmask in Ecological Modeling by Damián Keller
Columns
Beginners: Oscillators by Hans Mikelson
Synthesis: Parametric Equation Oscillators by Hans Mikelson
Processing: The Talk-Box and Formant Filtering by Hans Mikelson
Real-Time: Real-Time Analog Modeling by Hans Mikelson
Internals: Adding Opcodes to Csound by Hans Mikelson
Features
Anythng2Score, A Guide for the Perplexed by Dave Phillips
Depletion in Within, Randomly Extracting Values from a Table by Grant Chu Covell
Columns
Beginners: A Beginners Look At Csound by Hans Mikelson
Synthesis: Implementing Cellular Automatas in Csound with some Musical Applications by Josep Mª Comajuncosas Nebot
Processing: Hyperbolic Tangent Distortion by Hans Mikelson
Real-Time: Direct Csound Information and FAQ by Gabriel Maldonado
Internals: A Practical Guide to Compiling Csound by Hans Mikelson
Features
Perception of Tone Sequences and Pitch Paradoxes: A Digital Synthesis Laboratory by Luca Pavan